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Michael Roemer
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Michael Roemer : ウィキペディア英語版
Michael Roemer
Michael Roemer (born January 1, 1928) is a film director, producer and writer. He has won several awards for his films. He is the recipient of a Guggenheim Fellowship. A professor at Yale University, he is the author of ''Telling Stories''.
== Early years ==
Roemer was born to a well-to-do Jewish family〔Vicki Vasilopoulos, ("New Life for a 1964 Film" ) ''The New York Times'' (November 14, 2004). Retrieved October 20, 2011〕 in Berlin, Germany. After the Nazis came to power in 1933 and began restricting the rights of Jews to work, his father and his grandfather found themselves unable to work and provide for the family, and eventually lost everything. At the age of 11, Roemer was sent out of Germany〔 on one of the Kindertransports.〔Janet Maslin, ("Children Were Saved, but So Much Was Lost" ) ''The New York Times'' (December 2, 1998). Retrieved October 20, 2011〕 In England, he attended Bunce Court School,〔John O'Mahony, ("Surfaces and depths" ) ''The Guardian'' (September 15, 2001). Retrieved October 19, 2011〕 a German Jewish school for refugees, both pupils and staff. There, he met Wilhelm Marckwald, an actor and former director of the Deutsches Theater Berlin and also a refugee. The playwright Frank Marcus and the painter Frank Auerbach were two of his friends at Bunce Court.〔Andrew Lambirth, ("Master of accretion" ) ''The Spectator'' (January 2, 2010). Retrieved October 20, 2011〕 Roemer emigrated to the United States in 1945.
Roemer received his A.B. degree from Harvard University in 1949.〔William H. Smock, ("Michael Roemer: Silhouette" ) ''The Harvard Crimson'' (March 4, 1965). Retrieved October 28, 2011〕 While at Harvard, Roemer directed his first film, ''A Touch of the Times'',〔("Nan Goldin & Pawel Wojtasik present: Nothing But A Man" ) UnionDocs (UnDo). Retrieved October 19, 2011〕 possibly the first feature film produced at an American college.〔(Michael Roemer bio ) San Francisco Jewish Film Festival. Retrieved October 28, 2011〕 After graduating, he worked for Louis de Rochemont for eight years as a production manager, film editor, and as an assistant director. He later wrote, produced and directed a series of educational films for the Ford Foundation.

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